Born in 1981 in Hamburg, Germany

Lives and works in Berlin, Germany


Anahita Razmi studied at Bauhaus-University Weimar, Pratt Institute New York and State Academy of Art and Design Stuttgart, prior to exhibiting widely internationally and in numerous institutions like Zachęta National Gallery of Art, Warsaw, Kunstraum Innsbruck, Austria, Kunstmuseum Stuttgart, Germany, Kunsthalle Baden-Baden, Germany, The National Art Center, Tokyo and within the 55th Venice Biennale.


Her video, installation and performance works focus on issues of identity and gender and examine processes of cultural appropriation in which the meanings of existing images, artefacts and thus identities are put into question by situating them in another context. Razmi often uses strategies of disarrangement to consider structures of perception within consumer and pop culture against the background of different communities between ‘the West’ and ‘the Middle East’. The Islamic Republic of Iran, with its current political and social conditions and relations, remains an open, ambivalent point of reference.


Razmi was the recipient of the Goethe at Lux Residency (2018), the Werkstattpreis of the Erich Hauser Foundation (2015), the MAK-Schindler Artists and Architects-in-Residence Program, Los Angeles (2013) and the The Emdash Award, Frieze Foundation (2011). Her work is included in several international collections like the Kunstmuseum Stuttgart, the Museo Novecento, Florence and Davis Museum at Wellesley College, USA.